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Location: Architekturzentrum Wien - Old hall
Exhibition: 06 December 2001 - 15 April 2002
Opening Hours: Daily 10:00 am - 7:00 pm
Opening: Wednesday 5 December 2001, 7pm
Wolfgang Tschapeller Mariahilferstrasse 58 A - 1070 Vienna AUSTRIA Phone +43-1-526 69 68-0 Fax +43-1-526 69 68-15 proj@tschapeller.vienna.at Wolfgang Tschapeller on "nextroom - architektur im netz" (in german)
born in Dölsach, East Tirol. Joiner's apprenticeship and final examinations, studied architecture at the University of Applied Arts in Vienna and Cornell University, Ithaca, NY (postgraduate studies, MA). 1993 civil engineer's examination in Graz and established office in Vienna. Lectureships at Cornell University, Ithaca, Inha University, Seoul, Korea, at the "Haus der Architektur" in Graz, i.a.
Buildings, projects (select): 1996–2001 Murau District Commissioner's Office (with Friedrich W. Schöffauer) until 1997 Sigmund Freud Museum, Vienna 1998 Music Theater Graz, competition 1998–99 "Bundesländer Versicherung", study for large existing reinforced concrete skeletons 1999 Crematorium Linz 3, Linz-Urfahr, competition 2000 Department Store, competition, Innsbruck
Planned: Franz Kafka Conference and Memorial Rooms (with M. Wallraff), Kierling, Lower Austria Envelopes for rapidly changing programs: a restaurant, warehouse, supermarket, furniture store, office, exhibition room, East Tirol (with M. Wallraff).
Shifting Horizons The polarity between the figure and area, the construction and ground, is an issue running throughout conventional architectural history, including modernism. Traditionally, the footing was the element with which the (building's) figure rose above the (building) ground. Modernism blasted the footing away, allowing the construction to float above the ground and the site to flow on "untouched". One thing remained unmoved after the break with tradition: The horizon of architecture lies above that of nature; the figure still distances itself from the site,yet with different means, and the ideal landscape continues to be the common vanishing point. For more than ten years, Wolfgang Tschapeller's projects have been an attempt to resolve and/or shift the axiom of horizons and the figure-area dialectics.
For Tschapeller, the landscape ideal has today become fiction. The layers and sediments of civilization have long entombed the zero line between nature and culture. Correspondingly, architecture can no longer be founded on the simple contrast between the construction and site. The artificiality of the ground's relief is now to be seen as a shaped totality, especially in old living environments. Any intervention into this relief represents a conversion that simply no longer rests upon 'steady' ground but rather penetrates into an already site-less swimming texture of previous constructive and destructive processes. [...]
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